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THE INFLUENCE OF THE FRENCH REVOLUTION. 81 |
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bands restored. They were instrumented thus: Sixteen trumpets, six horns and three trombones, but kettledrums were only allowed to the guards, cuirassiers and carbiniers.8
In the regiments of infantry, bands comprised: |
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These fine bands of the Napoleonic armies, says Kappey, were considered the finest in existence, hence the great influence they exercised upon the improvement of those of other nations, with whom the con-queror came in contact. " Composers for the first time got a conception of the capabilities of this hitherto despised branch of musical art; open air music was lifted into a superior position." How this great movement influenced our bands in England we shall see presently.
It has been said that the best military bands in this country a century ago were those attached to the militia and volunteers, which since their reorganisation during the American War, had become a very popular branch of the service. In Ireland too, |
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' Napoleon instituted a school for cavalry trumpeters at Versailles which existed from 1805 to 1811.
" Clarinets in F and C were employed universally in military bands at thii period. Note Beethoven's works for same, and Mendelssohn's Overture in 0. In France, the B flat (and the E flat?) came into use in 1814, and were made oompulsory in 182b. ■*
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